Anthony COURSIER :"NEURAL NETWORK"  80x105cm fine art print on aludibond 2010

 

http://expositiondenoel.com/

Si vous passez par Freiburg en cet fin d'année, quelques uns de mes travaux sont présentés au Kunstverein et au L6.

Plus d'infos sur http://www.regionale.org/

Viel spass !

VOR ORT

Cora Piantoni, Inga Charlotte Taubert, Ludovic Jecker

Exposition chez Martin Kwade, berlin, xberg

 

Raccourci d'architecture... 

ABRISS - Propostion In situ_ appartement Berlin Prenzlauer Allee 147

L'exposition "WONDER BANG!" s'est tenue à
l'Institut d'Art Contemporain, Tokyo Wonder Site Hongo,
du 21/03/2009 au 19/04/2009.

Elle continue sur internet avec cette visite filmée.

Commissaire : Hikaru Miyakawa

Artistes invités : Ludovic Jecker, Rumi Kawamura, Camille Laurelli, Mario Maffei,
Luc Mattenberger, Hikaru Miyakawa, Gianni Motti, Georges Rey, Yann Vanderme

More infos / http://www.sox-berlin.com

www.aoui.org

www.lagenerale.org

En anglais le mot SWAY signifie, d'une part, un flottement, un balancement, un vacillement ou encore une instabilité et, en même temps, il se définit en tant que contrôle, pouvoir et persuasion. Ce sont ces deux significations presque contraires qui nous ont attirées dans ce terme et nous ont donné l'idée de créer une exposition qui inclurait des œuvres liées à l'une ou/et à l'autre de ces définitions. L'exposition s'articule autour de dix artistes venant de pays aussi différents que la Belgique, la Corée, la France, la Pologne, le Royaume Uni, la Russie et la Suisse. Plusieurs techniques artistiques sont aussi au rendez-vous : le dessin, la photographie, la sculpture, l'installation et la vidéo. Les œuvres présentées dans SWAY attirent l'attention sur la dualité des visions du monde, des objets et des sensations de l'être humain.

In English the word « sway » means something floating, balancing, shaking or unstable; at the same time the word refers to the notion of control, power and persuasion. These two almost contradictory meanings prompted the idea of elaborating a show that would include art pieces corresponding to one and/or the other of these definitions. The show presents ten artists from Belgium, Korea, France, Poland, United Kingdom, Russia and Switzerland. Several artistic techniques are involved: drawings, photographs, sculpture, installations and videos. The artworks presented in SWAY make us aware of the duality of visions that we can have on the world, on objects and on human sensations.

 

« BASSE DEF » with Wilfrid Almendra, John Armleder, Serge Comte, Clode Coulpier, Fabrice Croux, Gregory Cuquel, Patrice Gaillard and Claude with Daniel Dewar, Camille Laurelli, Elodie Lecat, David Lefebvre, Pierre Lesclauze, Fanette Muxart, Alice Nikitinova, Denis Savary, Tolga Taluy.
Curators : Stephane Sauzedde, Nicolas Thely.

« BASSE DEF » is a thematic exhibition which follows « BASSE DEF – preview » a selection of videos taken from YOU TUBE sites for the « Web suppliment » of the « Liberation » newspaper, visible on line at www.ecrans.fr


It has never been so easy to create images, videos or sketches, and modify and share them. Wallpapers, blogs, webzines, animated Gifs, mobile phone photo albums, fan compiled playlists etc… the sources of low definition images are numerous and to be found everywhere.
Growing up with this ecosystem, a whole generation of artists use the dirty side of modern technology to escape the banality of the glossy image as much as the « Job well done » idea of the seasoned professional. All this may be « Low def » but it is also of great beauty.

The « BASSE DEF » exhibition, with its literal and down to earth title deliberately under sells itself. Like the group of artists it promotes, it aims above all to bring into the limelight the huge energy generated by the users and abusers of today’s technology. To achieve this, the show gathers together the recent bathroom shower jet photos of Clode Coulpier, the posters of Fabrice Croux inspired by My Space sites, the ghost like images of Serge Comte, the wallpaper like oil paintings of David Lefebvre etc. etc…

Fundamentally, the assembled artists are gamblers. Like Camille Laurelli with her origami pieces they know anyone could do it. This surely makes them chuckle somewhat. In this sense they take up the colours of Filliou, de Maciunas and other Fluxus artists. This said, they also like to show their class, even if they refuse to put into evidence their mastery of the diverse tools they may use, the quality of the end result is of the utmost importance. Above all it must be explosive and original. In this way they are definitely post- punk, post rock, or post techno, depending on who or what piece we happen to be contemplating at the time. In any case, practically all the artists present have an approach similar to that of the musician, endlessly searching for the ideal support ( paper, CD, video, website, public performance, objects etc.) for their work.
From the home – the bedroom, the office, the computer – low definition image spreads out in all directions, contaminating all means of expression. The BASSE DEF exhibition aims to confront the public with this fact. Not to present one more time, the glossy surface that is Pop Art, but to scratch the surface, get beneath the skin to the very bone and evaluate the derisory persuit that is the work of production, figure out what we can do with these images beyond their consomation.

Le Brise Glace ouvre ces portes pour une exposition collective "OCULUS", au programme: défilé, performance, photographies, installations etc dès 17h30. Brise Glace, 24 rue Ampère, Grenoble